Kelley Polar

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  • Location: Sullivan, NH
  • Website:
  • Bio: Kelley Polar began his musical studies at the age of three with stack of LPs, a plastic Fisher-Price turntable
    and his six-year-old, disco-loving sister. Lessons in piano, violin and finally ... (more)
  • Bio: Kelley Polar began his musical studies at the age of three with stack of LPs, a plastic Fisher-Price turntable
    and his six-year-old, disco-loving sister. Lessons in piano, violin and finally viola followed, the latter
    becoming his passion and primary musical vehicle. At 18, Polar was a prizewinner at the William Primrose
    International Viola Competition, followed by an infamous tenure at Oberlin Conservatory. By the midnineties,
    Polar found himself in New York City pursuing an advanced degree at the illustrious Juilliard
    School and cementing his reputation for general deviance.
    Fate introduced a chance meeting in 1998 with Morgan Geist, head of the Environ record label. Geist and
    partner Darshan Jesrani were deep into the production of their first Metro Area record, and aware the duo
    were seeking live strings to complete the germination of their signature sound, Polar gamely assembled a
    group of Juilliard players and dubbed the group “Kelley Polar Quartet.” KPQ would eventually be heard on
    some of Metro Area’s biggest tracks — “Miura,” “Caught Up” and “Dance Reaction,” to name but a few —
    and even made the occasional surprise appearance in the group’s live performances.
    It wasn’t long before Polar determined that his Quartet should strike out with an original venture, and while
    some influence of Metro Area’s style was evident, Polar’s mix of western classical theory coupled with
    ignorance of current dance music trends made his early Environ records capture listeners’ imaginations.
    The inaugural solo Kelley Polar Quartet 12” (Audition EP, 2002) was the buzz of taste-making DJs the
    world over, and with the subsequent EPs (Recital EP and Rococo EP), Kelley Polar Quartet became a wellregarded
    name among discerning spinners, record buyers and journalists by 2004.
    Around this time, Polar was expelled from Juilliard, and despite his flourishing recording career, he decided
    he could no longer handle his self-destructive city lifestyle. He returned to the countryside of his youth and
    began playing chamber music under an assumed name in rural New Hampshire.
    It was in this rural setting that Polar found himself as a solo artist. Dropping the “Quartet” suffix from his
    name, he began exploring taut song ideas rooted more in idealistic pop than the pulsing floors of
    nightclubs. After a yearlong exile, Polar returned to New York in summer 2005 to mix his debut album, Love
    Songs of the Hanging Gardens, with Morgan Geist. Released the following autumn, Love Songs… received
    an incredible response from listeners and critics alike. Spin magazine praised the album as “romantic, nogravity
    dance pop;” The New Yorker called it an “ambitious new age disco record;” the Chicago Reader
    voted it “Best Music of 2005” as did Stylus Magazine’s “Best Records of 2005.” A live European festival
    tour in 2006 connected Polar with his fans and further cemented the album’s staying power; indeed,
    Pitchfork described the album in May 2007 as “one of 2005’s great unsung gems.”
    Today, Polar is the violist for the Apple Hill Chamber Players, a group known worldwide for playing primarily
    in conflict areas such as the Middle East, Northern Ireland and the Caucauses. He has recently completed
    a new album, I Need You to Hold On While the Sky Is Falling. Again mixed by Morgan Geist, the album will
    be released worldwide in March 2008, followed with a worldwide tour by Polar with his new live band. Polar
    has also recently completed his first remix for the band Caribou (formerly Manitoba) on Merge/City Slang. (less)

Entropy Reigns (in the Celestial City)

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Entropy Reigns EP